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CREATED WITH ADOBE PHOTOSHOP USING DIGITAL MATTE PAINTING TECHNIQUES, A WACOM DRAWING TABLET, AND CAFFEINE
(NO AI, EVER)


ARTWORK

FITF_CoverArt_Full.jpg

Official cover art for 'Fragments in the Fog',

''A tale of overcoming one's demons''

Filled with symbolism, the character in the foreground is intentionally

faceless and cloaked,so that the listener can put themselves in their shoes/see

themselves in the character. Standing defiantly against the being/focal point,

which is a manifestation of one's demons, having come to terms with

and accepting this darkness as a part of you/your journey, the being

is shown shooting a beam of light into an upside down skull in

the midground,which is to symbolize a rejection of suicide

(a promise made to myself). The overall design is layed out with

mirroring elements, meant to symbolize facing yourself,

a recurring theme throughout the album.

COMING SUMMER 2026

FITF_CD_Insert_v6.jpg

Created as the album insert artwork for the physical CD packaging, 

this depicts the raven from within the being on the cover art, flying out of the storm and 

towards hope/the light. This is also featured within the album visualizer/animation.

2 Adrift_Single_Cover_Art_FINAL.jpg

Official cover art for the first track I'd ever released, 'ADRIFT', which will see new life

in a reworked version on the album 'Fragments in the Fog', using techniques I've learned since,

both in regard to the composition and the mix/mastering/overall sound quality.

NLMDA_Art_V1_Final.jpg

Official cover art for an instrumental cover of Depeche Mode's 'Never Let Me Down Again';

the twist being that this version is done in the style of the music of The Last of Us,

as the Depeche Mode track was featured a few times throughout Season 1 of the HBO adaptation. 

Gustavo Santaolalla is one of my main influences when it comes to composing,

so this is also paying homage to his heartfelt work in the games/tv series.

© 2026 by MICHAEL BAIN.

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